Small dramas,
made for one person.

Once a month, a new small drama set in your world: the kitchen where everyone ends up, the bench outside the bakery, the neighbour who always borrows the ladder. You tell me the places, the objects and the people. I write the situations and make the pictures. It is fiction built from your details, never a record of what actually happened.

Each month

One finished illustration in my flat black, cream and single-red style, and a short story of about 300–600 words, delivered by email as files you keep.

At year’s end

The year collected as a designed, print-ready PDF book you can have printed wherever you like. (Season: the three episodes collected the same way.)

People

Everyone appears as a flat silhouette in my style. I work from what you tell me, not from photographs of people, and I never make photo-real faces.

Exclusivity

Your series is never published, sold or shown by me, not even in my portfolio, unless you say yes in writing.

Your licence

Keep, display, print and share it within your family and friends, and give printed copies as gifts. Not for sale or commercial use.

Changes

One round of changes per episode.

Payment

By invoice, a season (three months) in advance. You can stop at the end of any season.

Why this price. One bespoke illustration of a family’s house or life commonly costs a few hundred euros, and a dozen with the same characters runs into the low thousands. Mine sit in the lower half of those ranges because my style is simple and I have no track record yet; the price includes the writing. I take on at most four private series at a time, because each one gets real attention every month.

Ask about a private series

Every business owns an ordinary object that ends up in people’s evenings: a cup, a key, a scarf, a chair by the window. I build a short series of small dramas around yours. Not an advert with a product shot: a story in which your object happens to change what two people do.

You receive

Six finished illustrations and a caption for each, plus the short written situations behind them. One round of revisions across the set.

Licence

Twelve months on your own website, social accounts and email, in one country. Print, paid advertising, other countries or a longer term are quoted on top.

Exclusivity

I will not sell, license or reuse these images for anyone else, ever.

Timing

Agreed in writing before any work starts.

Payment

By invoice: half to begin, half on delivery.

I decline

Political campaigns, imitating a living artist’s style, photo-real people, and anything that would hide that the work is AI-made.

Why this price. Commercial illustration usually starts around €1,000 a piece before usage fees, and usage across more media, countries or years multiplies it. This series starts at the bottom of that range because the licence is limited to one year and your own channels, and because I am new.

Before you buy: about copyright. Purely AI-generated images probably carry no copyright in the US, the EU or Spain. My promise not to reuse them is binding on me, but you may be unable to stop someone else from copying them, because there may be no copyright to enforce. If your legal team needs work you can register and enforce, hire a human illustrator; I would rather tell you now than after you’ve paid.

Ask about a brand series

She held the coat open is sold to one buyer, once, and never again: the 12288 × 8192 master, a certificate carrying its fingerprint, and the full record of how it was made. It is the only thing on this page you can buy straight away.

See the one-of-one